Showing Records: 41 - 60 of 189
Carpenter Center for the Visual Arts: An Exhibition of Work. , 1977
Chicken Feet, Duck Limbs and Dada Handshakes / Williams, Emmett., 1984
In this book, Williams depicts chicken footprints as name-portraits or paintings of Dada artists. -- Source of annotation: Marvin or Ruth Sackner.
Chicken Feet, Duck Limbs and Dada Handshakes / Williams, Emmett., 1984
In this book, Williams depicts chicken footprints as name-portraits or paintings of Dada artists. -- Source of annotation: Marvin or Ruth Sackner.
Chicken Feet, Duck Limbs and Dada Handshakes / Williams, Emmett ; Tzara T ; Arp H ; Huelsenbeck R ; Duchamp M., 1984
In this book, Williams depicts chicken footprints as name-portraits or paintings of Dada artists. -- Source of annotation: Marvin or Ruth Sackner.
Choragos. No.21 / Williams E., 1977
Mary Connors' interview of Emmett Williams is titled "Artist As Poet, Inventor and Cosmological Humorist." It describes his mode of creating his sequence works and his exhibition "Schemes and Variations-Serial Paintings, Lithographs and Drawings." -- Source of annotation: Marvin or Ruth Sackner.
Concrete Poetry: A Teacher's Guide / Michael Warshaw; E Williams; ME Solt; D Pignatari., 1970
This performance video is the reading of nine poems from Emmett Williams' "An Anthology of Concrete Poetry." Using a musical background, and interpretive photography, the emphasis is on the visual aspect of the words and not on the linguistic. The film was donated to the Anthology Film Archives and transferred to DVD in 2006. According to 2006 media standards, the film should be considered quaint, historic and dated. -- Source of annotation: Marvin or Ruth Sackner.
Concrete Poetry: A Teacher's Guide / Michael Warshaw; E Williams; ME Solt; D Pignatari., 1970
This performance video is the reading of nine poems from Emmett Williams' "An Anthology of Concrete Poetry." Using a musical background, and interpretive photography, the emphasis is on the visual aspect of the words and not on the linguistic. The film was donated to the Anthology Film Archives and transferred to DVD in 2006. According to 2006 media standards, the film should be considered quaint, historic and dated. -- Source of annotation: Marvin or Ruth Sackner.
Concrete Poetry: A Teacher's Guide / Warshaw, Michael; Williams E; Solt ME; Pignatari D., 1970
This performance video is the reading of nine poems from Emmett Williams' "An Anthology of Concrete Poetry." Using a musical background, and interpretive photography, the emphasis is on the visual aspect of the words and not on the linguistic. -- Source of annotation: Marvin or Ruth Sackner.
Copy Art / Hainke, Wolfgang; Norros, Heta; Monro, Niall; Williams, Emmett; Olbrich, Jurgen O.; Noel, Ann., 1993
Copy Art: Trocken Schreiben - It's a Copy Art World / Hainke W ; Noel A ; Olbrich JO ; Williams E ; Monro N ; Norros H., 1993
Das eigensinnige Kind / Williams, Emmett ; Roth D ; Derrida J., 2000
The poems are printed with different typefaces from page to page. -- Source of annotation: Marvin or Ruth Sackner.
Denken: Ja ; Zeitschrift for Tiegel & Tumult / Olbrich JO. ; Hainke W ; Stake C ; Jappe G ; Williams E ; Heidsieck B ; Arts A ; Noel A ; Monro N ; Baroni V ; Schnyder A ; Olbrich JO ; Perneczky G ; Luh W., 1990
Dieter Roth / Diter Rot / Art Base ; Roth D ; Williams E ; Spoerri D., 2006
Echtzeit: Copy-Art/Installation / Jurgen O. Olbrich, curator ; Hainke W ; Noel A ; Olbrich JO ; Tilson J ; Williams E ; Nieslony B ; Muhleck G., 1988
The expanded catalog with original xerox prints in an edition of 12 is also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.
Echtzeit: Copy-Art/Installation / Jurgen O. Olbrich, curator ; Hainke W ; Noel A ; Olbrich JO ; Tilson J ; Williams E ; Nieslony B ; Muhleck G., 1988
This is a limited edition catalog of the exhibition that includes prints from the exhibition. Another limited edition of signed prints enclosed within a box was published in an edition of 50 copies. -- Source of annotation: Marvin or Ruth Sackner.
Emmett Williams im Gutenberg Pavillon Mainz / Williams, Emmett ; Patterson B ; Higgins D ; Knowles A ; Page R ; Spoerri D ; Maciunas B ; Filliou R ; Kopcke A ; Spoerri D ; Ben., 2001
Emmett Williams writes about his creation of the Alphabet Symphony for the Festival of Misfits in London in 1962. The performance was one of the first Fluxus events even before the name Fluxus was used. It was preceded by the first Festum Fluxorum the previous month in Weisbaden with Williams and Ben Paterson as the only certified Fluxus artists. Paterson contributed an essay and conducted Williams' alphabet performance. -- Source of annotation: Marvin or Ruth Sackner.